The Blue Cross (Aired December 2, 1984)
When we consider the question of clerics and mysteries, the first figure most of us think of is G.K. Chesterton’s Father Brown. The first Father Brown story was published in 1910 in the Saturday Evening Post, years before Chesterton had even converted to Roman Catholicism. Forty-eight Father Brown stories were published before Chesterton’s death, and for many, the unassuming Catholic priest, who solved mysteries through close observation and intuition, remains the model clerical detective, unmatched by any subsequent efforts by other authors. Not that these authors haven’t tried. Their success depends on the same factors by which we judge any piece of fiction in general and mystery fiction in particular: is the writing evocative or flat and cliched? Are the characters three-dimensional, or are they just types who do little but lie flat on the page? Do the situations in the narrative arise organically and naturally, or are they obvious constructs? And what does the religious identity of the detective add to the story? Is it relevant to the tale, or is it merely a gimmick in a narrative that could it have just as well have been told with a gas station attendant searching for clues instead?
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