Death On The Nile (Part 3 of 4) 1968
Christie only at the end of her life, when she realised that she could not write any more novels. These publications came on the heels of the success of the film version of Murder on the Orient Express in 1974. Like Arthur Conan Doyle with Sherlock Holmes, Christie was to become increasingly tired of her detective, Poirot. In fact, by the end of the 1930s, Christie confided to her diary that she was finding Poirot “insufferable”, and by the 1960s she felt that he was an "an ego-centric creep". However, unlike Conan Doyle, Christie resisted the temptation to kill her detective off while he was still popular. She saw herself as an entertainer whose job was to produce what the public liked, and what the public liked was Poirot. In contrast, Christie was fond of Miss Marple. However it is interesting to note that the Belgian detective’s titles outnumber the Marple titles by more than two to one. This is largely because Christie wrote numerous Poirot novels early in her career, while The Murder at the Vicarage remained the sole Marple novel until the 1940s. Christie never wrote a novel or short story featuring both Poirot and Miss Marple.
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