Mr. Denton On Doomsday (Aired October 16, 1959)
Throughout the 1950s, Rod Serling had established himself as one of the hottest names in television, equally famous for his success in writing televised drama as he was for criticizing the medium's limitations. His most vocal complaints concerned the censorship frequently practiced by sponsors and networks. "I was not permitted to have my Senators discuss any current or pressing problem," he said of his 1957 production 'The Arena', intended to be an involving look into contemporary politics. "To talk of tariff was to align oneself with the Republicans; to talk of labor was to suggest control by the Democrats. To say a single thing germane to the current political scene was absolutely prohibited." Twilight Zone’s writers frequently used science fiction as a vehicle for social comment; networks and sponsors who had infamously censored all potentially "inflammatory" material from the then predominant live dramas were ignorant of the methods developed by writers such as Ray Bradbury for dealing with important issues through seemingly innocuous fantasy. Frequent themes include nuclear war, mass hysteria, and McCarthyism, subjects that were strictly forbidden on more "serious" prime-time drama. Episodes such as "The Shelter" or "The Monsters Are Due on Maple Street" offered specific commentary on current events. Other stories, such as "The Masks" or "The Howling Man," operated around a central allegory, parable, or fable that reflected the characters' moral or philosophical choices.
THIS EPISODE
Portrait of a town drunk named Al Denton. This is a man who's begun his dying early—a long agonizing route through a maze of bottles. Al Denton, who would probably give an arm or a leg or a part of his soul to have another chance, to be able to rise up and shake the dirt from his body and the bad dreams that infest his consciousness.
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