Michael Buble - You Don't Know Me and That's All (Live 2005)

 Michael Buble - You Don't Know Me and That's All (Live 2005)

 

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Michael Steven Bublé  OC OBC (IPA: /buːˈbleɪ/ boo-BLAY; born September 9, 1975) is a Canadian singer, songwriter, and record producer. His first album reached the top ten in Canada and the United Kingdom. He found a worldwide audience with his 2005 album It's Time as well as his 2007 album Call Me Irresponsible – which reached number one on the Canadian Albums Chart, the UK Albums Chart, the US Billboard 200, the Australian ARIA Albums Chart and several European charts. Bublé's 2009 album Crazy Love debuted at number one on the US Billboard 200 after three days of sales, and remained there for two weeks. It was also his fourth number one album on Billboard's Top Jazz Albums chart. His 2011 holiday album, Christmas, was in first place on the Billboard 200 for the final four weeks of 2011 and the first week of 2012, totalling five weeks atop the chart, it also made the top 5 in the United Kingdom. With this, Christmas became his third-consecutive number-one album on the chart. To Be Loved was released in April 2013. Bublé has sold over 40 million records worldwide,and won numerous awards, including four Grammy Awards and multiple Juno Awards. Bublé is a dual citizen of Canada and Italy.

A Date With Judy - Going To A Frank Sinatra Movie (Aired March 20, 1945)

 Going To A Frank Sinatra Movie (Aired March 20, 1945)


A Date with Judy was an American radio program during the 1940s. It was a teenage comedy that began as a summer replacement for Bob Hope's show, sponsored by Pepsodent and airing on NBC from June 24 to September 16, 1941, with 14-year-old Ann Gillis in the title role. Dellie Ellis portrayed Judy when the series returned the next summer (June 23-September 15, 1942). Louise Erickson took over the role the following summer (June 30 - September 22, 1943) when the series, sponsored by Bristol Myers, replaced The Eddie Cantor Show. Louise Erickson continued as Judy for the next seven years, as the series, sponsored by Tums, aired from January 18, 1944 to January 4, 1949. As the popularity of the radio series peaked, Jane Powell starred as Judy in the MGM movie, A Date with Judy (1948). Co-starring with Powell were Elizabeth Taylor, Wallace Beery, Robert Stack, and Carmen Miranda. Ford Motors and Revere Cameras were the sponsors for the final season of the radio series on ABC from October 13, 1949 to May 25, 1950. A Date with Judy was also a comic book (based on the radio program) published by National Periodical Publications from October-November 1947 to October-November 1960.

THIS EPISODE:

March 20, 1945. "Going To A Frank Sinatra Movie" - NBC network. Sponsored by: Tums. Guest Frank Sinatra sings, "Night and Day" and "I Don't Know Why I Love You Like I Do." Judy and Oogie go to a Sinatra movie. Afterwards, Judy dreams about Frankie. Richard Crenna sings, "Got A Date With Judy." The system cue has been deleted. Richard Crenna, Dix Davis, Frank Sinatra, Louise Erickson, John Brown, Aleen Leslie (creator, writer). 29:22. Episode Notes From The Radio Gold Index.

The Screen Director's Playhouse - D.O.A. (06-21-51)

 The Screen Director's Playhouse - D.O.A. (06-21-51)

 

D.O.A. (Aired June 21, 1951)

Screen Director's Playhouse is a popular radio and television anthology series which brought leading Hollywood actors to the NBC microphones beginning in 1949. The radio program broadcast adaptations of films, and original directors of the films were sometimes involved in the productions, although their participation was usually limited to introducing the radio adaptations, and a brief "curtain call" with the cast and host at the end of the program. The series later had a brief run on television, focusing on original teleplays and several adaptations of famous short stories (such as Robert Louis Stevenson's "Markheim").
 

THIS EPISODE:
 
June 21, 1951. NBC network. "D. O. A.". Commercials deleted. A man is given a slow acting poison. Listen for a Les Paul and Mary Ford record in the background of the first scene. Director Rudolph Mate is introduced, but is not heard on this recording. Director Frank MacDonald appears in his place. The phrase, "Take him for a ride" is used with a straight face. Edmond O'Brien, Peggy Castle, Jimmy Wallington (announcer), Frank MacDonald, Jan Rarick (? piano), Howard Wiley (production supervisor), Bill Cairn (director). 59:33. Episode Notes From The Radio Gold Index.

The Crime Club - Dead Man Control (03-20-47)

 Dead Man Control (Aired March 20, 1947)


Crime club was a Mutual Network murder and mystery series, a product of the Doubleday Crime Book Club imprints found weekly in bookstores everywhere. The telephone rings"Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. Murder Rents A Room? Yes, we have that Crime Club story for you.Come right over. (The organist in the shadowed corner of the Crime Club library shivers the ivories) The doorbell tones sullenly"And you are here. Good. Take the easy chair by the window. Comfortable? The book is on this shelf." (The organist hits the scary chord) "Let's look at it under the reading lamp." The Librarian, played by Raymond E. Johnson, begins reading the tale. Veteran Willis Cooper (Lights Out, Quiet Please) did some of the scripts from the Crime Club books.

THIS EPISODE:

March 20, 1947. Mutual network. "Dead Men Control". Sustaining. A millionaire is killed while opening his wall safe. A large diamond is found missing, but is found again too soon. Helen Riley (writer), Ted Osborne, Alice Frost, Elspeth Eric. 31:14.

CBS' Columbia Workshop - The Silent Witness (Aired July 14, 1957)

The Silent Witness (July14, 1957)

Beginning with CBS' Columbia Workshop from 1936 to 1947, CBS set out to experiment with Radio--to push that invisible envelope of the speed of sound, the speed of light, and to capitalize on the human listeners' comparitively narrow band of audible sound. Not so much experiment in terms of hardware technology, as in Radio's earliest efforts in 'broad casting' radio transmissions, but in concept, engineering, scoring and production technique. The most well-known and widely acclaimed proponent of these techniques was Norman Corwin. Corwin was so critically and popularly successful in experimental broadcasts that CBS gave him virtual carte blanche to produce whatever projects he deemed of possible interest--at least until the HUAC years anyway. Corwin's well-deserved acclaim aside, the various other CBS experimental programming efforts over the years very much set the bar for other networks.
 

THIS EPISODE:
 
July 14, 1957. CBS network. "The Silent Witness". Sustaining. An excellent tour-de-force trial drama. Done with only one voice, that of the only performer on the show, Raymond Burr. All other roles on this courtroom drama are played by the listener's imagination. This was what radio was all about! Raymond Burr. 24:09. Episode Notes From The Radio Gold Index.

"The Shadow"

 "The Shadow" - One of the most popular radio shows in history. The show went on the air in August of 1930. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954.
Agnes Moorehead, the first Margot LaneA figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds." Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace.
The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all. Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.  Show Notes From Old Radio World.com

 The Shadow. September 26, 1937. Mutual Network. "The Death House Rescue". Blue Coal. The first show of the series with "The Shadow" as a force against crime and not just a phantom announcer. Just before an innocent man is to be executed for murder, The Shadow uses mental telepathy to get the goods on the real killers. A good show with an intelligent plot. Orson Welles, Agnes Moorehead, William Johnstone, Jeanette Nolan, Ray Collins (triples), Paul Stewart, Elia Kazan, Everett Sloane (quadruples), Paul Huber (commercial spokesman), Frank Readick (opening and closing voice), Arthur Whiteside (announcer), Edward Hale Bierstadt (writer), Elsie Thompson (organist), Clark Andrews (producer), Martin Gabel (director), Edith Meiser (story editor), Walter B. Gibson (story consultant), J. R. Poppele (sound engineer), Thomas Coffin Cooke (commercial spokesman, as "John Barclay"), Walter Gibson (writer). 29:12. Episode Notes From The Radio Gold Index

 

Dragnet - "The Big Drifter"

Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals, and Dragnet remains a key influence on subsequent police dramas in many media. The show's cultural impact is such that after seven decades, elements of Dragnet are familiar to those who have never seen or heard the program. The ominous, four-note introduction to the brass and tympani theme music (titled "Danger Ahead"), composed by Walter Schumann, is instantly recognizable. It is derived from Miklós Rózsa's score for the 1946 film version of The Killers.  Another Dragnet trademark is the show's opening narration: "Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent." This underwent minor revisions over time. The "only" and "ladies and gentlemen" were dropped at some point. Variations on this narration have been featured in subsequent crime dramas, and in parodies of the dramas (e.g. "Only the facts have been changed to protect the guilty").

The radio series was the first entry in a Dragnet media franchise encompassing film, television, books and comics.
 

THIS EPISODE:

February 23, 1950. Program #37. NBC network. "The Big Drifter". Fatima. "Gentleman Wallace," a born con-man, takes advantage of two used-car dealers, and many others. Jack Webb, Barton Yarborough. 29:33. Show Notes From The Radio Gold Index.

Fibber McGee and Molly was a 1935–1959 American radio comedy series.

 

https://www.podomatic.com/podcasts/boxcars711/episodes/2021-06-08T10_53_27-07_00 

Fibber McGee and Molly was a 1935–1959 American radio comedy series. The situation comedy was a staple of the NBC Red Network from 1936 on, after originating on NBC Blue in 1935. One of the most popular and enduring radio series of its time, it ran as a stand-alone series from 1935 to 1956, and then continued as a short-form series as part of the weekend Monitor from 1957 to 1959. The title characters were created and portrayed by Jim and Marian Jordan, a husband-and-wife team that had been working in radio since the 1920s. rdans' previous radio sitcom Smackout, followed the adventures of a working-class couple, the habitual storyteller Fibber McGee and his sometimes terse but always loving wife Molly, living among their numerous neighbors and acquaintances in the community of Wistful Vista. As with most radio comedies of the era, Fibber McGee and Molly featured an announcer, house band and vocal quartet for interludes. 

At the peak of the show's success in the 1940s, it was adapted into a string of feature films. A 1959 attempt to adapt the series to television with a different cast and new writers was both a critical and commercial failure, which, coupled with Marian Jordan's death shortly thereafter, brought the series to a finish. Five days after the wedding, Jim received his draft notice. He was sent to France, and became part of a military touring group which entertained the armed forces after World War I. When Jim came home from France, he and Marian decided to try their luck with a vaudeville act. They had 2 children, Kathryn Therese Jordan (1920–2007) and James Carroll Jordan (1923–1998). 

Fibber McGee and Molly. January 25, 1944. NBC net. Johnson's Wax. First appearance of Marlin Hurt as "Beulah." The closet is heard. Fibber and Molly celebrate the return of their laundry with a night out on the town. Wistful Vista night life leaves much to be desired!. Jim Jordan, Marian Jordan, Marlin Hurt, Shirley Mitchell, Ransom Sherman, Arthur Q. Bryan, Harlow Wilcox, Billy Mills and His Orchestra, The King's Men, Don Quinn (writer), Phil Leslie (writer). 29:20. Audio Condition: Very good to excellent. Complete.

THIS EPISODE:

 Fibber McGee and Molly. January 25, 1944. NBC net. Johnson's Wax. First appearance of Marlin Hurt as "Beulah." The closet is heard. Fibber and Molly celebrate the return of their laundry with a night out on the town. Wistful Vista night life leaves much to be desired!. Jim Jordan, Marian Jordan, Marlin Hurt, Shirley Mitchell, Ransom Sherman, Arthur Q. Bryan, Harlow Wilcox, Billy Mills and His Orchestra, The King's Men, Don Quinn (writer), Phil Leslie (writer). 29:30.

The Adventures Of Sam Spade - The Fairly-Bright Caper (10-31-48)

The Adventures Of Sam Spade - The Fairly-Bright Caper (10-31-48)

 

The Fairly-Bright Caper (Aired October 31, 1948) The Adventures of Sam Spade was a radio series based loosely on the private detective character Sam Spade, created by writer Dashiell Hammett for The Maltese Falcon. The show ran for 13 episodes on ABC in 1946, for 157 episodes on CBS in 1946-1949, and finally for 51 episodes on NBC in 1949-1951. The series starred Howard Duff (and later, Steve Dunne) as Sam Spade and Lurene Tuttle as his secretary Effie, and took a considerably more tongue-in-cheek approach to the character than the novel or movie. In 1947, scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama from the Mystery Writers of America. Before the series, Sam Spade had been played in radio adaptations of The Maltese Falcon by both Edward G. Robinson (in a 1943 Lux Radio Theater production) and by Bogart himself (in a 1946 Academy Award Theater production), both on CBS.

THIS EPISODE:

October 31, 1948. CBS network. "The Fairly Bright Caper". Sponsored by: Wildroot Cream Oil. Spade is hired to protect a Halloween party, which is only slightly complicated by a witch and a murder! Howard Duff, Lurene Tuttle, Dick Joy (announcer), Dashiell Hammett (creator). 29:28.
Episode Noteas - Episode Notes From The Radio Gold Index.

"The Legend of Mickey Mantle"

 "The Legend of Mickey Mantle"

EPISODE DESCRIPTION

 

Mickey Charles Mantle (October 20, 1931 – August 13, 1995), nicknamed The Commerce Comet and The Mick, was an American professional baseball player. Mantle played his entire Major League Baseball (MLB) career (1951–1968) with the New York Yankees as a center fielder, right fielder, and first baseman. Mantle was one of the best players and sluggers and is regarded by many as the greatest switch hitter in baseball history. Mantle was inducted into the Baseball Hall of Fame in 1974 and was elected to the Major League Baseball All-Century Team in 1999. Mantle was one of the greatest offensive threats of any center fielder in baseball history. He has the second highest career OPS+ among center fielders, (behind Mike Trout) and he had the highest stolen base percentage in history at the time of his retirement. In addition, compared to the other four center fielders on the All-Century team, he had the lowest career rate of grounding into double plays, and he had the highest World Series on-base percentage and World Series slugging percentage. He also had an excellent .984 fielding percentage when playing center field. Mantle was able to hit for both average and power, especially tape measure home runs, a term that had its origin in a play-by-play caller reacting to one of Mantle's 1953 home runs. He hit 536 MLB career home runs, batted .300 or more ten times, and is the career leader (tied with Jim Thome) in walk-off home runs, with 13—twelve in the regular season, one in the postseason. He is the only player in history to hit 150 home runs from both sides of the plate. Mantle hit some of the longest home runs in Major League history. On September 10, 1960, he hit a ball left-handed that cleared the right-field roof at Tiger Stadium in Detroit and, based on where it was found, was estimated years later by historian Mark Gallagher to have traveled 643 feet (196 m). Another Mantle homer, hit right-handed off Chuck Stobbs at Griffith Stadium in Washington, D.C. on April 17, 1953, was measured by Yankees traveling secretary Red Patterson (hence the term "tape-measure home run") to have traveled 565 feet (172 m). Deducting for bounces, there is no doubt that both landed well over 500 feet (152 m) from home plate. Mantle two times hit balls off the third-deck facade at Yankee Stadium, nearly becoming the only player to hit a fair ball out of the stadium during a game. On May 22, 1963, against Kansas City's Bill Fischer, Mantle hit a ball that fellow players and fans claimed was still rising when it hit the 110-foot (34 m) high facade, then caromed back onto the playing field. It was later estimated by some that the ball could have traveled 504 feet (154 m)[38] had it not been blocked by the ornate and distinctive facade.